Silent Script
My sculptural practice reinterprets language not as something to be read, but as something to be felt. Drawing from Persian letterforms in the Nasta’liq script, I isolate and transform them into three-dimensional forms that shift from linguistic symbols into spatial compositions.
Through scale, repetition, rotation, and placement, I construct a gestural vocabulary that invites open and intuitive interpretation.
My sculptures are primarily fabricated in steel, a material whose strength and density stand in tension with the fluidity of calligraphic line. Throughout the work, opposing forces converge; chaos settles into calm, shattered forms become whole, fragility gives way to resilience, and imperfection finds balance.